| Malayalee from India – Official Teaser | |
|---|---|
| Director | Dijo Jose Antony |
| Writer | Sharis Mohammed |
| Producer | Listin Stephen |
| Production Company | Magic Frames |
| Co-Producer | Justin Stephen |
| Director of Photography (DOP) | Sudeep Elamon |
| Line Producer | Santhosh Krishnan |
| Editor and Colorist | Sreejith Sarang |
| Music and BGM | Jakes Bejoy |
| Production Designer | Prasanth Madhav |
| Art Director | Akhilraj Chirayil |
| Executive Producer | Naveen P Thomas |
| Chief Associate Director | Binto Stephen |
| Makeup | Ronex Xavier |
| Costume Designer | Sameera Saneesh |
| Production Controller | Gireesh Kodungallur |
| Thrills | Billa Jagan, Asharaf Gurukkal |
| Sound Design | Sync Cinema |
| Final Mixing | Rajakrishnan M R |
| Administration and Distribution Head | Babin Babu |
| Production In charge | Akhil Yesodharan |
| Stills | Premlal Pattazhy |
| VFX | Promice |
| Marketing | Binu Bringforth |
| Subscribe Link | Subscribe on YouTube |
| Facebook | Magic Frames Facebook |
| Twitter | Magic Frames Twitter |
| Instagram | Magic Frames Instagram |
| Parameter | Amount |
|---|---|
| Movie Title | Malayalee From India (2024) |
| Box Office | ₹12.65 crore worldwide (approximately $1.5 million USD) |
| Budget | Not available |
Malayalee From India: A Nivin Pauly Charmer Falters in Identity
“Malayalee From India,” the latest offering starring the ever-charming Nivin Pauly, is a film with good intentions that struggles to find its footing. Directed by Dijo Jose Antony, the movie attempts to be a lighthearted exploration of identity, patriotism, and the Malayalee experience, but ends up being a mixed bag.
A Confusing Journey:
Pauly plays Aalparambil Gopi, a jobless man in his late thirties navigating life’s uncertainties. The film starts with Gopi’s involvement in local politics and a budding romance with Krishna (Anaswara Rajan). However, the narrative takes a sharp turn, leaving the political threads dangling and whisking Gopi away to a camel farm in the Middle East. This tonal shift is jarring, leaving viewers wondering where the film is headed.
Sincere Performances:
Despite the haphazard plot, Pauly delivers a sincere performance. He injects Gopi with a likeable vulnerability that resonates with the audience. Dhyan Sreenivasan is equally impressive as Gopi’s friend, providing much-needed comedic relief with their on-screen chemistry. Manju Pillai shines as Gopi’s mother, her portrayal adding a layer of warmth and authenticity to the narrative.
Heavy-Handed Themes:
The film’s attempt at social commentary is commendable. It touches upon the complexities of religious divides and the current political climate in Kerala. However, these themes are often delivered through heavy-handed dialogues and melodramatic situations. The humor, while present, can be uneven, with some jokes landing flat.
Technical Competence:
Technically, the film is competent. The visuals are pleasant, capturing the beauty of Kerala’s landscapes. The music, by Shaan Rahman, is decent but lacks the memorability of some of his earlier work.
Is It Worth Watching?
For die-hard Nivin Pauly fans, the movie offers a chance to see him in a familiar, charming role. However, those seeking a more cohesive narrative or deeper exploration of its themes might be left disappointed.
Final Verdict:
Ultimately, “Malayalee From India” is a watchable one-time experience. It has its moments, particularly when Pauly and Sreenivasan share the screen. However, the lack of a focused story and the heavy-handed messaging prevent it from reaching its full potential.