| Movie Title | Srikanth |
|---|---|
| Starring | Rajkummar Rao, Jyotika, Alaya F, Sharad Kelkar, Jameel Khan |
| Directed by | Tushar Hiranandani |
| Produced by | Bhushan Kumar, Krishan Kumar, Nidhi Parmar Hiranandani |
| Co-Producer | Shiv Chanana |
| President (T-Series) | Neeraj Kalyan |
| Writer | Jagdeep Siddhu, Sumit Purohit |
| Director of Photography | Pratham Mehta |
| Executive Producer | Ajeet Singh |
| Editors | Debasmita Mitra, Sanjay Sankla |
| Music | Anand Milind, Tanishk Bagchi, Sachet-Parampara, Ved Sharma |
| Lyrics | Majrooh Sultanpuri, Anand Milind, Shloke Lal, Yogesh Dubey, Kunaal Verma |
| Costume Designer | Rohit Chaturvedi |
| Key Makeup | Designer Pattanam Rasheed |
| Sound Designer | P M Satheesh, Manoj M Goswami |
| Production Design | Tanvi Leena Patil |
| Original Background Score | Ishaan Chhabra |
| Action Director | Aejaz Gulab |
| Line Producer | Gaurav Rajain |
| Casting Director | Abhimanyu Ray |
| Associate Directors | Kunal Gupta, Shivraj Waichal |
| Choreographer | Punit J Pathak |
| Post Production | The Post Co |
| Project Head (T-Series) | Heett Savla |
| Film & Content Team (T-Series) | Alok Kumar Shukla, Shraddha Shrikant Ghanekar, Meghha Chheda |
| Marketing & Promotions (T-Series) | Shivam Chanana, Raj Chanana, Prashant Shetty, Mita Choudhary, Rahul Dubey, Amol Bhamare, Heett Savla |
| Music On | T-Series |
| DI | Prime Focus |
| VFX | Post House |
| PR Agency | Communique Film PR |
| Digital Marketing | White Rivers Media |
| Publicity Design | Mantraa Luminosity |
| Visual Promotions | Just Right Studioz NX |
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Srikanth (2024): A Biopic with Heart, But Lacks Depth
“Srikanth,” the recently released biographical drama, invites audiences into the inspiring journey of Srikanth Bolla, a visually impaired man who transcended barriers to achieve entrepreneurial success. Directed by Tushar Hiranandani and anchored by Rajkummar Rao’s powerful performance in the titular role, the film offers a poignant portrayal of resilience and determination.
The narrative follows Srikanth’s evolution from his humble origins in rural India to his groundbreaking acceptance at the prestigious Massachusetts Institute of Technology (MIT). Despite facing societal prejudices and formidable challenges, Srikanth finds unwavering support from his family, particularly his mother, portrayed with depth by Jyothika.
Rao’s portrayal as Srikanth stands out as the heart and soul of the film. His nuanced performance authentically captures the character’s determination, resilience, and vulnerability, fostering a genuine connection with the audience.
However, while “Srikanth” effectively celebrates its protagonist’s achievements, it falls short in exploring the depths of his journey. The script by Hiranandani, though competent, follows a somewhat formulaic trajectory, missing opportunities to delve into Srikanth’s inner world and the complexities of his disability.
Despite these limitations, the film delivers emotional moments, particularly in its depiction of Srikanth’s familial relationships, and carries a resonant message of perseverance and overcoming limitations.
In conclusion, “Srikanth” is a well-made biopic with a compelling central performance. It offers an inspiring narrative with a crowd-pleasing message, making it a worthwhile watch for those seeking uplifting cinema. However, for viewers craving a more nuanced exploration of its protagonist’s journey, the film may feel somewhat predictable.
Final Rating: 3.5 out of 5 stars